Sleeve notes
Neil Young
After the Gold Rush · 1970
Neil Young left Canada for Los Angeles in the mid-1960s, co-founded Buffalo Springfield, and then spent the next half-century refusing to stay still — moving between the ragged electric guitar of Crazy Horse, the country-adjacent balladry of his acoustic records, and detours into rockabilly, electronic experimentation, and grunge-adjacent noise decades before it had a name. His voice, thin and unguarded, works as well over a delicate piano figure as it does buried in feedback.
After the Gold Rush (1970) and Harvest (1972) established the gentler, folk-rock side of his catalog that would prove enormously influential on generations of singer-songwriters, even as Young himself kept veering away from it into louder, stranger territory. That refusal to repeat a successful formula, more than any single record, is what later artists — from slowcore bands to noisy indie guitarists — most often cite when explaining what they took from him.

