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Who shaped them

The Strokes

The Strokes

Since 1998 · United States

The Strokes resolved to do something their contemporaries were not doing in 2001… Their story

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Who they shaped

Behind them, left to right: Ramones, The Velvet Underground.

In front, left to right: The Marías, Geese.

Not in the photo: , . Often assumed; they've said no.

The bigger the face, the stronger the proof: they said it themselvesreporteda critic, or widely accepted

Is This It cover

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Is This It (2001)

Nick Valensi and Albert Hammond Jr.'s interlocking guitar parts — clean, relatively un-effected, drawing from Television and Lou Reed's solo work — gave the album a clarity that felt almost retro in 2001 but turned out to be as contemporary as anything released that decade. 'Last Nite' is the canonical example: a chord progression lifted from Tom Petty's 'American Girl,' recontextualized inside a New York attitude that made it feel entirely of its moment. It reinvented rock for a generation that had grown up on hip-hop and electronic music and needed the guitar translated into a register they could inhabit.

Sleeve notes

The Strokes

Is This It · 2001

The Strokes resolved to do something their contemporaries were not doing in 2001: they dressed up, played short songs, and released an album that sounded like it had been made in 1977 by people who had just discovered that 1977 was available. Is This It (2001) was received as the arrival of something important partly because of its timing — the slick pop of the late nineties was exhausted, and here was something that sounded careless in a studied way — and partly because the songs were genuinely good. Julian Casablancas's baritone, the two-guitar interplay of Nick Valensi and Albert Hammond Jr., the dry production: it all held together.

The debut's influence on indie rock across the subsequent decade was enormous — the template of the distorted guitar band playing short, direct songs with a retro tinge is now so common as to be invisible. Room on Fire (2003) maintained the quality; later albums varied. What's clear in retrospect is that the Strokes made one essential record and a handful of good ones, which is more than most bands manage.

Since 1998 · United States

Played at

Lower East Side

New York · 1999–2005

On the bill

Played their first gig in 1999 and spent 2000 on Mercury Lounge residencies, taking the club's booker with them as their manager; the first of these bands to break, with Is This It in 2001.

The whole scene