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Who shaped them

The Rapture

The Rapture

Since 1998 · United States

The Rapture formed in the late 1990s, with members meeting in San Francisco before relocating to New York and connecting with James Murphy and Tim Goldsworthy's fledgling DFA production outfit. Their story

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Who they shaped

Nobody on the map lists them as an influence yet.

Behind them, left to right: The Smiths, The Cure, Gary Numan.

The bigger the face, the stronger the proof: they said it themselvesreporteda critic, or widely accepted

Echoes cover

Start here

Echoes (2003)

Echoes is the fullest studio statement of the dance-punk sound The Rapture helped kick into gear with their DFA-produced singles. "House of Jealous Lovers" anchors the record, Luke Jenner's yelped vocals and scraping guitar riding a four-on-the-floor beat and cowbell pattern lifted as much from disco as from post-punk. "Olio" and "Killing" show the same tension between rock instrumentation and dance rhythm applied to slower, moodier material. The album captures a specific moment when post-punk revivalism and DFA's disco-not-disco aesthetic briefly looked like the same genre.

Sleeve notes

The Rapture

Echoes · 2003

The Rapture formed in the late 1990s, with members meeting in San Francisco before relocating to New York and connecting with James Murphy and Tim Goldsworthy's fledgling DFA production outfit. The 2002 single "House of Jealous Lovers," produced by Murphy and Goldsworthy, fused post-punk guitar tension with a four-on-the-floor dance beat in a way that felt genuinely startling at the time and helped establish DFA's reputation before the label had released much else.

Echoes (2003), the album that followed, extended that fusion across a full record, adding saxophonist Gabriel Andruzzi's parts to Luke Jenner's tense vocals and guitar. The band's later records moved toward a more conventional, polished indie-pop sound, and a lineup change and extended hiatus followed before a partial reunion years later. Echoes remains the record most closely identified with the early-2000s dance-punk moment DFA did so much to shape. Vito Roccoforte and Matt Safer, the band's other founding members, remained its rhythmic backbone even as guitarists and additional players moved in and out of the lineup over the years that followed.

Since 1998 · United States

Played at

Lower East Side

New York · 1999–2005

On the bill

Came east from San Francisco by way of Seattle, were spotted by James Murphy at Brownies, and made "House of Jealous Lovers" with DFA in 2002, the single that put this scene's guitars on the dance floor.

The whole scene