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Who shaped them

Teenage Jesus and the Jerks

Teenage Jesus and the Jerks

Since 1976 · United States

Teenage Jesus and the Jerks formed in New York in 1976, fronted by Lydia Lunch, whose confrontational stage presence and minimalist, dissonant guitar playing helped define the emerging no wave scene's aesthetic of deliberate ugliness and brevity… Their story

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Who they shaped

Behind them, left to right: Mars.

In front, left to right: Sonic Youth.

The bigger the face, the stronger the proof: they said it themselvesreporteda critic, or widely accepted

No New York cover

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No New York (1978)

No New York gathers four of the scene's defining acts onto a single compilation, and Teenage Jesus and the Jerks' contributions are among its most concentrated blasts of hostility. "Orphans" crams shrieking slide guitar and Lydia Lunch's flat, confrontational vocal into a track that refuses to last a moment longer than necessary. The production keeps the harshness raw rather than smoothing any of it over. As a document of no wave's whole ethos — brief, dissonant, deliberately off-putting — this compilation's Teenage Jesus tracks are as close to a mission statement as the scene ever produced.

Sleeve notes

Teenage Jesus and the Jerks

No New York · 1978

Teenage Jesus and the Jerks formed in New York in 1976, fronted by Lydia Lunch, whose confrontational stage presence and minimalist, dissonant guitar playing helped define the emerging no wave scene's aesthetic of deliberate ugliness and brevity — songs rarely lasted more than a minute or two, built on shrieking slide guitar and a rigid, almost martial rhythm section. The band was one of four acts included on No New York (1978), the compilation that documented and effectively named the scene for a wider audience.

Lunch disbanded Teenage Jesus and the Jerks not long after, moving into a long and prolific solo career spanning music, spoken word, film, and writing that continued to explore the same confrontational, taboo-courting territory in different forms. Across all of it, Lunch maintained the same refusal to soften her material for a wider audience that had defined the band's brief existence, and her early work with Teenage Jesus remains the clearest and most concentrated statement of the no wave scene's aesthetic of abrasive minimalism.

Since 1976 · United States

Played at

No Wave

Lower Manhattan · 1978–1983

On the bill

Lydia Lunch's band, started after seeing Mars perform live; became the scene's most concentrated statement of deliberate ugliness and brevity.

The whole scene