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Who shaped them

Nobody on the map came before them: they're where this line starts.

Mars

Mars

Since 1975 · United States

Mars formed in New York in the mid-1970s as one of the earliest and most uncompromising groups in what would become the no wave scene, building songs out of deliberately mistuned guitars, shouted or spoken vocals, and rhythms that resisted any conventional sense of groove. Their story

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Who they shaped

In front, left to right: Teenage Jesus and the Jerks, Sonic Youth.

The bigger the face, the stronger the proof: they said it themselvesreporteda critic, or widely accepted

No New York cover

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No New York (1978)

Mars's contributions to No New York are among the most genuinely disorienting recordings to come out of the no wave scene. "Helen Fordsdale" builds from deliberately mistuned, scraping guitars and vocals that sound shouted from somewhere just off-mic, resisting any sense of conventional melody or rhythm. The production leaves the abrasiveness completely unsoftened, letting the track's structural chaos speak for itself. As a document of how far a rock band could push dissonance before the music stopped resembling rock at all, Mars's work here remains close to the outer limit.

Sleeve notes

Mars

No New York · 1978

Mars formed in New York in the mid-1970s as one of the earliest and most uncompromising groups in what would become the no wave scene, building songs out of deliberately mistuned guitars, shouted or spoken vocals, and rhythms that resisted any conventional sense of groove. The band's music was closer to structured noise than to rock as commonly understood, treating dissonance and atonality not as an effect but as the entire compositional method.

Mars broke up before the end of the 1970s, leaving behind a small body of recorded work, most of it gathered on No New York (1978), the compilation that documented the scene for a wider audience alongside Teenage Jesus and the Jerks, DNA, and James Chance and the Contortions. Despite the brevity of the band's existence, Mars's uncompromising rejection of conventional harmony and rhythm made it one of the most extreme and influential documents of the no wave scene's earliest phase.

Since 1975 · United States

Played at

No Wave

Lower Manhattan · 1978–1983

On the bill

Formed earliest of the compilation acts and pushed furthest from conventional rock; a Mars show was reportedly what sent Lydia Lunch off to start her own band.

The whole scene