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James Chance and the ContortionsPhoto: Braunov · CC BY-SA 3.0

James Chance and the Contortions

Since 1977 · United States

James Chance and the Contortions formed in New York in the late 1970s, led by saxophonist and vocalist James Chance, who fused no wave's confrontational energy with a genuine, tightly rehearsed funk rhythm section… Their story

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Who they shaped

In front, left to right: Big Black, Sonic Youth.

The bigger the face, the stronger the proof: they said it themselvesreporteda critic, or widely accepted

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Buy (1979)

Buy fuses no wave's hostility to a genuinely tight, danceable funk rhythm section, a combination that made James Chance and the Contortions among the most physically aggressive bands to ever also be this rhythmically disciplined. "Contort Yourself" rides a taut, popping bassline while Chance's skronking saxophone and shouted vocal push the track toward chaos without ever losing the groove underneath. The tension between the music's precision and its hostility is the whole point. It's an album that helped invent an entire lineage of dance-punk decades before that term existed.

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James Chance and the Contortions

Buy · 1979

James Chance and the Contortions formed in New York in the late 1970s, led by saxophonist and vocalist James Chance, who fused no wave's confrontational energy with a genuine, tightly rehearsed funk rhythm section — a combination that made the band's music simultaneously more danceable and more aggressive than most of its no wave peers. Chance's live performances were notorious for direct physical confrontation with audience members, an extension of the music's own combative relationship with the listener.

Buy (1979), the band's debut album, brought that fusion of funk precision and punk hostility to its fullest studio realization, its tight rhythm section and Chance's skronking saxophone establishing a template that would later be cited by a generation of dance-punk and post-punk-funk revivalists. James Chance continued performing under various names in the decades that followed, but the Contortions' brief, combustible run remains the clearest statement of no wave's funkier, more danceable wing.

Since 1977 · United States

Played at

No Wave

Lower Manhattan · 1978–1983

On the bill

Brought a trained funk rhythm section into the same rooms, giving the compilation its danceable, confrontational counterpoint to the other three acts' pure noise.

The whole scene