Tap any face to see why they're in the photo

Who shaped them

Animal Collective

Animal Collective

Since 2003 · United States

Animal Collective formed among childhood friends from the Baltimore area, initially recording and performing under an evolving set of names before settling on Animal Collective in the early 2000s, and built a sound that fused dense, exploratory electronic production with the communal, folk-adjacent vocal harmonies more associated with freak folk. Their story

See them on the map

Press ▶︎ to play

Loading…

It really plays! Press the middle

Who they shaped

Behind them, left to right: Olivia Tremor Control, Silver Apples, Brian Eno, Aphex Twin, Can, Pavement.

In front, left to right: Grimes, Deerhunter, Mid-Air Thief.

The bigger the face, the stronger the proof: they said it themselvesreporteda critic, or widely accepted

Merriweather Post Pavilion cover

Start here

Merriweather Post Pavilion (2009)

Merriweather Post Pavilion layers dense, synthesizer-heavy production under vocal hooks catchy enough to anchor the whole record. "My Girls" builds a warm, pulsing bassline into a wash of overlapping vocal harmonies, the arrangement's density never burying the song's genuine emotional directness — a plainspoken statement about wanting security for a family. The album balances the band's experimental instincts with an accessibility their earlier, noisier records had mostly avoided. It became the record most responsible for bringing Animal Collective's dense, freak-folk-inflected electronic pop to a much wider audience.

Sleeve notes

Animal Collective

Merriweather Post Pavilion · 2009

Animal Collective formed among childhood friends from the Baltimore area, initially recording and performing under an evolving set of names before settling on Animal Collective in the early 2000s, and built a sound that fused dense, exploratory electronic production with the communal, folk-adjacent vocal harmonies more associated with freak folk. The band's catalog moved fluidly between abrasive noise experimentation and increasingly melodic, dance-inflected songwriting without ever fully abandoning either impulse, drawing on a wide and eclectic set of touchstones from Beach Boys harmony to krautrock repetition.

Merriweather Post Pavilion (2009) brought the electronic and melodic sides of the band's sound into their most accessible alignment yet, built on dense layers of synthesizer and sampled sound anchored by genuinely infectious vocal hooks. The album became the group's commercial and critical breakthrough, expanding their audience well beyond the experimental scene that had produced them, and its combination of dense production and pop accessibility made it a significant reference point for the more electronically minded wing of American indie rock that followed.

Since 2003 · United States