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Who shaped them

Rites of Spring

Rites of Spring

Since 1984 · United States

Rites of Spring formed in Washington, D.C. in 1984 from within the same Dischord Records-affiliated hardcore scene that had produced Minor Threat, but pushed the music toward something more emotionally raw and less rigidly aggressive. Their story

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Who they shaped

Behind them, left to right: The Fall, Wire, Buzzcocks, The Birthday Party.

In front, left to right: Mary Timony, Sunny Day Real Estate, American Football, Blur.

The bigger the face, the stronger the proof: they said it themselvesreporteda critic, or widely accepted

Rites of Spring cover

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Rites of Spring (1985)

Rites of Spring takes hardcore's urgency and turns it inward, trading political fury for something closer to open vulnerability. "For Want Of" builds around Eddie Janney's melodic, almost jangling guitar lines while Guy Picciotto's vocals swing between a hardcore bark and something closer to a confession. The band broke up within about a year of forming, leaving this self-titled record as their only real statement. It's now credited, somewhat against Picciotto's own wishes, as the record where emo as a genre effectively begins.

Sleeve notes

Rites of Spring

Rites of Spring · 1985

Rites of Spring formed in Washington, D.C. in 1984 from within the same Dischord Records-affiliated hardcore scene that had produced Minor Threat, but pushed the music toward something more emotionally raw and less rigidly aggressive. Guy Picciotto's lyrics and vocal delivery — vulnerable, almost confessional, delivered with the same intensity as any hardcore frontman — combined with Eddie Janney's melodic, unconventional guitar playing to produce a sound the DC scene began half-jokingly calling "emocore," a term that would outlive the band by decades.

The band existed for barely a year before splitting up, releasing only their self-titled album on Dischord, but its impact on the scene around them was immediate: drummer Brendan Canty and Picciotto both went on to form Fugazi, carrying Rites of Spring's emotional intensity into one of the most influential bands in American underground music. Picciotto has since repeatedly rejected the "emo" label the band is credited with originating, but the record's combination of hardcore urgency and open vulnerability remains the acknowledged starting point for the genre.

Since 1984 · United States

Played at

DC Hardcore

Washington DC · 1980–1993

On the bill

Lasted barely a year, but its two core members, Picciotto and Canty, carried its emotionally raw "emocore" sound directly into Fugazi afterward.

The whole scene