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Bad Brains

Bad Brains

Since 1977 · United States

Bad Brains formed in Washington, D.C. in 1977 as a jazz-fusion quartet before a chance encounter with punk rock sent them chasing something faster and more extreme. Their story

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Who they shaped

Behind them, left to right: Sex Pistols, Ramones.

In front, left to right: Interpol, The Dillinger Escape Plan, Descendents, Minor Threat, Big Black, Turnstile, At The Drive-In, Black Flag, Jeff Buckley.

The bigger the face, the stronger the proof: they said it themselvesreporteda critic, or widely accepted

Bad Brains cover

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Bad Brains (1982)

Bad Brains plays like a dare: hardcore delivered at a speed and precision that few bands of the era could touch, then interrupted by reggae interludes that somehow never break the record's momentum. "Banned in D.C." turns the band's own real-life exile from DC's club circuit into a defiant statement of purpose, H.R.'s vocals swinging between a hardcore bark and a reggae croon within the same verse. "Sailin' On" and "Big Take Over" show a rhythm section playing at a level of tightness closer to jazz fusion than punk. It's the rare hardcore record where the musicianship is as startling as the aggression.

Sleeve notes

Bad Brains

Bad Brains · 1982

Bad Brains formed in Washington, D.C. in 1977 as a jazz-fusion quartet before a chance encounter with punk rock sent them chasing something faster and more extreme. Guitarist Dr. Know, bassist Darryl Jenifer, drummer Earl Hudson, and vocalist H.R. brought a level of instrumental precision to hardcore that few of their peers could match, playing at tempos that seemed to defy the genre's own limits while never losing the tightness of a band that had trained as jazz musicians first.

The band's embrace of Rastafari added reggae interludes to their sets and records, a jarring but deliberate contrast to the hardcore assault surrounding them, and H.R.'s frontman presence became legendary among a generation of hardcore and post-hardcore musicians. Bad Brains, first circulated on cassette before a wider reissue, is now regarded as one of the foundational documents of American hardcore, its influence stretching from the DC scene that formed around Dischord Records to funk-metal and alternative rock acts who never shared a stage with them.

Since 1977 · United States

Played at

DC Hardcore

Washington DC · 1980–1993

On the bill

Predated the DC scene and set it in motion — MacKaye's pre-Minor Threat band saw a Bad Brains show and came out transformed, and Picciotto later named them among Fugazi's own influences too.

The whole scene