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Who shaped them

Nobody on the map came before them: they're where this line starts.

Television

Television

Since 1973 · United States

Television arrived in New York's Bowery in 1974 and proceeded to do something nobody had attempted… Their story

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Who they shaped

In front, left to right: Unwound, Sonic Youth, Wilco, Echo & the Bunnymen, Mogwai, Tortoise.

Not in the photo: , , . Often assumed; they've said no.

The bigger the face, the stronger the proof: they said it themselvesreporteda critic, or widely accepted

Marquee Moon cover

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Marquee Moon (1977)

Tom Verlaine and Richard Lloyd developed a counterpoint guitar style that owed more to jazz improvisation than any rock tradition, and the eight-minute title track is where it reaches its apex — two guitars spiraling around each other in a final stretch that neither musician appears to dominate. Engineer Andy Johns captured the guitars with such clarity that the record sounds as live today as any recent release. No punk record from the same year sounds as technically accomplished or as emotionally controlled.

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Television

Marquee Moon · 1977

Television arrived in New York's Bowery in 1974 and proceeded to do something nobody had attempted: marry the intellectual urgency of the Velvet Underground to jazz-influenced extended guitar dialogues, on songs that ran eight minutes without anyone noticing. Tom Verlaine and Richard Lloyd developed an interlocking guitar language that owed more to Coltrane than to Chuck Berry — long, melodic, asymmetric lines that crossed and answered each other like two people finishing each other's sentences.

Marquee Moon (1977) is one of the most fully-realized debut albums in rock history. The title track alone — eleven minutes of ratcheting tension, false resolutions, and a guitar solo that keeps turning a corner and opening into larger space — established the template for ambitious indie guitar music. Television were never quite post-punk (too clean, too joyful in their virtuosity) and never quite punk (too patient, too respectful of craft). They occupied a space of their own that many subsequent guitar acts spent decades trying to articulate.

Since 1973 · United States

Played at

CBGB

New York · 1974–1977

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Arrived in the Bowery in 1974 and effectively opened the room to rock bands; Marquee Moon (1977) is the scene's least punk record and its most technically ambitious.

The whole scene