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Roy Harper

Roy Harper

Since 1964 · United Kingdom

Roy Harper built a reputation in the British folk scene of the 1960s as an uncompromising, often difficult figure… Their story

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Who they shaped

In front, left to right: Fleet Foxes, Joanna Newsom.

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Stormcock (1971)

Stormcock consists of just four songs, several running past eight minutes, built around Harper's acoustic guitar and David Bedford's orchestral arrangements rather than any conventional verse-chorus structure. "Me and My Woman" spends nearly thirteen minutes moving through shifting movements, closer to a suite than a song, without ever losing its emotional center. "Hors d'Oeuvres" opens the record with a satirical bite that undercuts any sense of pure prettiness. It's a record built entirely around patience, and it rewards the listeners willing to give it that patience back.

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Roy Harper

Stormcock · 1971

Roy Harper built a reputation in the British folk scene of the 1960s as an uncompromising, often difficult figure — his songs ran long, resisted commercial packaging, and drew as much from beat poetry and philosophy as from any folk tradition. Led Zeppelin's "Hats Off to (Roy) Harper," a tribute track, gave him a level of rock-world recognition that his own record sales never quite matched.

Stormcock (1971), four extended songs with orchestral arrangements by David Bedford, is generally regarded as his most fully realized work, and its combination of acoustic guitar, ambitious structure, and unhurried pacing has made it a specific touchstone for later artists drawn to long-form, arrangement-heavy folk songwriting — a lineage that runs directly to some of the more expansive singer-songwriters of the 2000s.

Since 1964 · United Kingdom