Ninajirachi

Since 2017 · Australia

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I Love My Computer (2025)

I Love My Computer gathers Ninajirachi's bright, hook-forward electronic pop into her first full studio statement, balancing club-ready production with the emotionally direct, maximalist songwriting she's said Porter Robinson's influence helped her develop. "iPod Touch" is a fitting centerpiece, its title and lyrics leaning into nostalgia for early-2010s digital culture while the production stays thoroughly current, all glossy synth stabs and compressed drops. The record moves between festival-scaled electronic tracks and quieter, more intimate pop moments without the shifts feeling like a loss of focus. It's a confident debut from an artist who has spent most of her life so far learning this specific craft in public.

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Ninajirachi

I Love My Computer · 2025

Ninajirachi is the Australian producer Nina Wilson, who began releasing dance-pop and hyperpop-adjacent music while still a teenager on the Central Coast of New South Wales, building a sound heavily inflected by the maximalist, emotionally bright electronic pop of artists like Porter Robinson. She has spoken often and specifically about that influence, including in interviews describing the emotional pull of Robinson's production as a formative reference point for her own work.

I Love My Computer (2025), her debut full-length studio album, extended the bright, hook-driven electronic-pop sound of her earlier singles and EPs into a longer, more sustained project. Ninajirachi's music sits at a crossing point between club-functional dance production and the more melodically maximalist end of hyperpop, informed as much by festival main-stage electronic music as by the internet-native scenes she's often associated with. She has built her career largely through steady independent releases and direct engagement with an online fanbase rather than through a single high-profile breakout moment.