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Who shaped them

IDLES

IDLES

Since 2009 · United Kingdom

IDLES formed in Bristol in 2009 and spent nearly a decade playing to indifference before Brutalism (2017), written in the aftermath of frontman Joe Talbot's mother's death, established the band's confrontational, cathartic sound… Their story

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Who they shaped

Nobody on the map lists them as an influence yet.

Behind them, left to right: Gang of Four, The Clash, Joy Division.

The bigger the face, the stronger the proof: they said it themselvesreporteda critic, or widely accepted

Joy as an Act of Resistance cover

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Joy as an Act of Resistance (2018)

Joe Talbot's bellowed, confrontational sincerity over Bristol post-punk's blunt-force riffing turned political anger and personal grief into an anthemic, cathartic live show. 'Danny Nedelko' is a pro-immigration singalong built on a battering-ram riff, naming a real friend of the band as its hero. 'Samaritans' dismantles toxic masculinity in the same breath it deploys the genre's most macho signifiers, turning the contradiction into the point. The record's mix of aggression and open-hearted politics built one of British rock's most devoted modern fanbases.

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IDLES

Joy as an Act of Resistance · 2018

IDLES formed in Bristol in 2009 and spent nearly a decade playing to indifference before Brutalism (2017), written in the aftermath of frontman Joe Talbot's mother's death, established the band's confrontational, cathartic sound: Mark Bowen and Lee Kiernan's blunt-force guitars, Adam Devonshire's bass, Jon Beavis's drums, and Talbot's bellowed, unguarded vocals turning grief and rage into something that felt communal rather than merely aggressive.

Joy as an Act of Resistance (2018), written in the shadow of his infant daughter's death, expanded the band's scope to immigration, mental health, and masculinity without softening any of the volume — "Danny Nedelko" named a real friend of the band as the hero of a pro-immigration singalong, while "Samaritans" dismantled toxic masculinity using the genre's own macho signifiers against themselves. Ultra Mono (2020) reached number one in the UK; Crawler (2021) pushed the sound further from straightforward punk. IDLES built one of British rock's most devoted modern fanbases — the self-organized "AF Gang" — on a formula of aggression paired with an unusually open-hearted, inclusive politics.

Since 2009 · United Kingdom